Las óleos de todo Francesco Solimena


ID Image  Painting (From A to Z)       Details 
51272  
Francesco Solimena, Allegory of Reign
 
 Allegory of Reign   1690 Oil on canvas, 104 x 76 cm
91392  
Francesco Solimena, Bathseba im Bade
 
 Bathseba im Bade   um 1725 Medium oil on canvas Dimensions 103 x 128 cm (40.6 x 50.4 in) cjr
39580  
Francesco Solimena, Charles VI and Count Gundaker Althann
 
 Charles VI and Count Gundaker Althann   mk150 1728 309x284cm
39633  
Francesco Solimena, Descent from the Cross
 
 Descent from the Cross   mk150 c.1730/31 Canvas 398x223cm
32668  
Francesco Solimena, Dido Receiveng Aeneas and Cupid Disguised as Ascanius
 
 Dido Receiveng Aeneas and Cupid Disguised as Ascanius   1720s Oil on canvas, 207 x 310 cm
43281  
Francesco Solimena, Dido Receiving Aeneas and Cupid Disguised as Ascanius
 
 Dido Receiving Aeneas and Cupid Disguised as Ascanius   mk170 1720-1730 Oil on canvas 207.2x310.2cm
32672  
Francesco Solimena, Expxulsion of Heliodorus from the Temple
 
 Expxulsion of Heliodorus from the Temple   Fresco
20643  
Francesco Solimena, Heliodorus Chased from the Temple (mk05)
 
 Heliodorus Chased from the Temple (mk05)   1725 Canvas ,59 x 78 1/2''(150 x 200 cm)Preparatory sketch for a fresco in the New Church of the Gesu at Naples Acquired for Louis XVI in 1786
70764  
Francesco Solimena, judit med holofernes huvud
 
 judit med holofernes huvud   1728-33 pa duk 130x105cm se
3800  
Francesco Solimena, Judith with the Head of Holofernes
 
 Judith with the Head of Holofernes   Art History Museum, Vienna
96879  
Francesco Solimena, L Assomption et le Couronnement de la Vierge
 
 L Assomption et le Couronnement de la Vierge   1690(1690) Medium oil on canvas Dimensions 134 X 101 cm cyf
86272  
Francesco Solimena, LAssomption et le Couronnement de la Vierge
 
 LAssomption et le Couronnement de la Vierge   1690(1690) Medium Oil on canvas Dimensions 134 x 101 cm (52.8 x 39.8 in) cyf
78216  
Francesco Solimena, Portrait of Charles VI
 
 Portrait of Charles VI   1707(1707) Medium Oil on canvas Dimensions 188 x 127 cm (74 x 50 in) cyf
76362  
Francesco Solimena, Portrait of Charles VI, Holy Roman Emperor
 
 Portrait of Charles VI, Holy Roman Emperor   1707(1707) Oil on canvas 188 ?? 127 cm (74 ?? 50 in) cjr
32687  
Francesco Solimena, Rebecca and Eleazer
 
 Rebecca and Eleazer   c. 1710 Oil on canvas, 202 x 150 cm
29103  
Francesco Solimena, Rebecca at the Well
 
 Rebecca at the Well   mk65 Oil on canvas 28x25"
71553  
Francesco Solimena, Rebecca at the Well
 
 Rebecca at the Well   Date c. 1700 Medium Oil on canvas Dimensions 72 x 63 cm (28.35 x 24.8 in)
32665  
Francesco Solimena, Saint Cajetan Appeasing Divine Anger
 
 Saint Cajetan Appeasing Divine Anger   Fresco
58469  
Francesco Solimena, Self portrait
 
 Self portrait   mk261 1730-1732 Oil Painting on canvas in 130 x 114 cm
78811  
Francesco Solimena, Self portrait
 
 Self portrait   ca. 1715(1715) Medium Oil on canvas Dimensions 128 x 112 cm (50.4 x 44.1 in) cyf
26866  
Francesco Solimena, Self-Portrait
 
 Self-Portrait   mk52 1730-1 Oil on canvas 130x114cm Uffizi,Florence
51275  
Francesco Solimena, St Bonaventura Receiving the Banner of St Sepulchre from the Madonna
 
 St Bonaventura Receiving the Banner of St Sepulchre from the Madonna   1710 Oil on canvas, 240 x 130 cm
97733  
Francesco Solimena, St Francis before the Pope
 
 St Francis before the Pope   first quarter of 18th century Medium oil on canvas Dimensions 114 x 88 cm cyf
51280  
Francesco Solimena, The Martyrdom of Sts Placidus and Flavia
 
 The Martyrdom of Sts Placidus and Flavia   1697-1708 Oil on canvas, 75 x 133 cm
70501  
Francesco Solimena, The Martyrdom of Sts Placidus and Flavia
 
 The Martyrdom of Sts Placidus and Flavia   Medium Oil on canvas Dimensions 75 x 133 cm
32680  
Francesco Solimena, The Massacre of the Giustiniani at Chios
 
 The Massacre of the Giustiniani at Chios   Oil on canvas, 275 x 163 cm
43606  
Francesco Solimena, The Trinity, the Madonna and St Dominic
 
 The Trinity, the Madonna and St Dominic   The Trinity, the Madonna and St Dominic

Francesco Solimena
1657-1747 Italian Francesco Solimena Gallery Francesco Solimena was born in Canale di Serino, near Avellino. He received early training from his father, Angelo Solimena, with whom he executed a Paradise for the cathedral of Nocera (place where he spend a big part of his life) and a Vision of St. Cyril of Alexandria for the church of San Domenico at Solofra. He settled in Naples in 1674, there he worked in the studio of Francesco di Maria and later Giacomo del Po[1]. He apparently had taken the clerical orders, but was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII)[2]. By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his art??for he was a highly conventional painter??after the Roman Baroque masters, Luca Giordano and Giovanni Lanfranco, and Mattia Preti, whose technique of warm brownish shadowing Solimena emulated. Solimena painted many frescoes in Naples, altarpieces, celebrations of weddings and courtly occasions, mythological subjects, characteristically chosen for their theatrical drama, and portraits. His settings are suggested with a few details??steps, archways, balustrades, columns??concentrating attention on figures and their draperies, caught in pools and shafts of light. Art historians take pleasure in identifying the models he imitated or adapted in his compositions. His numerous preparatory drawings often mix media, combining pen-and-ink, chalk and watercolor washes. Francesco Solimena 'A study for the fresco cycle in the Sacristy of San Paolo Maggiore in Naples', Whitfield Fine Art.A typical example of the elaborately constructed allegorical "machines" of his early mature style, fully employing his mastery of chiaroscuro, is the Allegory of Rule (1690) from the Stroganoff collection, which has come to the State Hermitage Museum, St Petersburg. He apparently hoped to see his son Orazio follow a career in the law, for which he received a doctorate (de Domenici), but also became a painter. His large, efficiently structured atelier became a virtual academy, at the heart of cultural life in Naples. Among his many pupils were Francesco de Mura (1696-1784) , Giuseppe Bonito (1707-89), Pietro Capelli, Gaspare Traversi, and most notably Corrado Giaquinto and Sebastiano Conca. The Scottish portraitist Allan Ramsay spent three years in Solimena's studio. Solimena amassed a fortune, was made a baron and lived in sumptuous style founded on his success. Francesco Solimena died at Barra, near Naples, in 1747.



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